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Jules François Crahay
Brüssel (BE) > 23.02.2024 - 10.11.2024
The name Jules François Crahay may not ring a bell, and yet… This Belgian is ‘one of the last geniuses of couture’. For the first time, and thanks to original research, the museum is devoting an exhibition to him. An opportunity to discover or rediscover this unfairly forgotten couturier. Jules François Crahay began his career in Liège before making his mark in the Parisian world of haute couture. In 1959, his first collection for the Nina Ricci fashion house triggered a wave of praise and orders. The press compared him to Christian Dior. Subsequent collections confirmed his reputation as a master couturier, appreciated by Claudia Cardinale, Princess Paola and Jackie Kennedy. He joined the Maison Lanvin, where he created around 40 haute couture collections and more ready-to-wear garments.
Text- und Bildquelle: Museumswebsite
Veranstalter/ Ort
Fashion & Lace Museum
Rue de la Violette 12
1000 Brüssel
Belgien
weitere Infos: www.fashionandlacemuseum.brussels/en/expos/6027
Extrêmement chic. Mode in den 1940er Jahren
Berlin (D) > 02.02. - 06.04.2024
In der Ausstellung werden Modezeichnungen der frühen 1940er Jahre gezeigt, "Moderne Hüte", die 1941 in Berlin als Vintageprints auf Pergament oder auf Karton im Zeitschriftenverlag Gustav Lyon erschienen sind.
Öffnungszeiten: Donnerstag und Freitag 15.00 -19.00 Uhr, Samstag 12.00-16.00 Uhr
Bild- und Textquelle: Website der Galerie
Veranstalter/ Ort
galerie für junge künstler- und designerInnen
Grunewaldstrasse 15
10823 Berlin
Deutschland
weitere Infos: www.jkd-berlin.de/
Past Intelligence. Givenchy. Uli Richter. Students
Berlin (D) > 02.02.2024 - 26.05.2024
Welche Inspiration können angehende Modedesigner*innen aus vergangenen Moden ziehen? In Workshops haben sich Studierende des Atelier Chardon Savard, Hochschule Macromedia Berlin, dieser Frage anhand eines Kleids von Hubert de Givenchy von 1986 und einer Interpretation durch Uli Richter aus dem Jahr 1989 genähert. In ihren Recherchen setzten sie sich mit den beiden Designern, dem Kleid, dessen Schnitt und Material auseinander und entwarfen eigene, davon inspirierte Outfits. Die Ergebnisse sind nun in einer Sonderpräsentation im Berliner Kunstgewerbemuseum zu sehen.
Text- und Bildquelle: Museumswebsite
Veranstalter/ Ort
Macromedia university of applied arts. Atelier Chardon Savard
Kunstgewerbemuseum, Kulturforum
Matthäikirchplatz 6
10785 Berlin
Deutschland
weitere Infos: www.museumsportal-berlin.de/de/ausstellungen/past-intelligence/
Meine 20er Jahre
Lunzenau (D) > 02.02. - 21.07.2024
Auch 2024 wird es eine besondere Ausstellung mit der Stiftung August Ohm geben. Dieses Mal stehen die 20er Jahre im Mittelpunkt und man darf bereits jetzt gespannt sein auf die Auswahl der ausgestellten Objekte zu diesem Thema. Mit der Stiftung August Ohm wurde 2021 die großzügige Leihgabe einer mehr als 1.000 Objekte umfassenden Sammlung für mindestens 25 Jahre an das Museum Schloss Rochsburg vereinbart. Nach Abschluss umfangreicher Baumaßnahmen wird dieser Schatz im Rahmen einer neuen großen Dauerausstellung in denkmalgerecht sanierten Räumen des Schlosses präsentiert werden. Damit wird eine der umfangreichsten und bedeutendsten privaten Mode-Sammlungen Europas auf Schloss Rochsburg eine neue Heimat finden.
Textquelle: Museumswebsite
Veranstalter/ Ort
Schloss Rochsburg
Schlossstraße 1
09328 Lunzenau
Deutschland
weitere Infos: www.schloss-rochsburg.de/sonderausstellung-schloss-rochsburg/
Statement Sleeves
New York City (USA) > 24.01. - 25.08.2024
Whether puffed, ruffled, split, or sheer, statement sleeves have been a ubiquitous fashion trend for the past decade. These dramatic, contemporary creations can enliven and update a wardrobe, yet many current sleeve styles have cycled in and out of fashion for decades, if not centuries. Although sleeves can be especially challenging to make, they also inspire countless creative ideas. Statement Sleeves takes an original approach to the history of fashion. The selected garments date from the 18th century to the present, but they are not presented chronologically. They are instead organized by type. Following an introduction to basic sleeve shapes–from gigot to raglan–visitors will encounter the myriad ways in which designers have reinterpreted and remixed sleeves through variations in material, shape, embellishment, and even functionality. More than sixty styles, all from the museum's permanent collection, emphasize how sleeves hold the power to define a look–in both the past and present.
Text- und Bildquelle: Museumswebsite
Veranstalter/ Ort
The Museum at FIT
New York City
USA
weitere Infos: www.fitnyc.edu/museum/exhibitions/index.php?exhibitions=upcoming
300 years of underwear
Amsterdam (NL) > bis 16.06.2024
under/wear is a Rijksmuseum Special Collections display tracing shifts in underwear trends between 1640 and 1940 – from linen underpants belonging to 17th-century Dutch ruler Hendrik Casimir I to early 20th-century stocking suspenders. Underclothing was purely functional in the 17th century, but from the 19th century onwards undergarment increasingly became subject to changes in fashion. This was the era of corsets, petticoats, crinolines, chemise undershirts and ‘directoire’ knickers.
Textquelle: Museumswebsite
Veranstalter/ Ort
Rijksmuseum Amsterdam Museumstraat 1
1071 XX Amsterdam
Niederlande
weitere Infos: www.rijksmuseum.nl/en/press/press-releases/300-years-of-underwear-at-the-rijksmuseum
Designed to dry - Kitty van der Mijll Dekker X Vera Roggli
Tilburg (NL) > 27.1.2024 - 12.1.2025
Our relationship with household textiles has changed considerably over the years. In the damask presentation, you will discover more about this history and dive into the story of the - at the time - leading designer Kitty van der Mijll Dekker. This history inspired contemporary designer Vera Roggli. In the 19th and early 20th centuries, people handled household textiles differently than today. For instance, you had different types of cloths in your kitchen, each with its own function (the 'pot cloth', the tea towel, the cook's towel, etc.), the upper class would bring out the pure white damask table linen for special guests or occasions, and young women would collect all the pieces of their textile trousseau in preparation for marriage. The products were often simple in design and mainly focused on functionality. Kitty van der Mijl Dekker is one of the first textile designers of the era to change this.
Bild - und Textquelle: Museumswebsite
Veranstalter/ Ort
TextielMuseum - TextielLab
Goirkestraat 96
5046 GN Tilburg
Niederlande
weitere Infos: textielmuseum.nl/en/exhibitions/designed-to-dry
Cabarets
Moulins (F) > 09.12.2023 - 30.04.2024
À partir du samedi 9 décembre 2023, le Centre national du costume et de la scène propose une exposition sur le thème du Cabaret. 120 costumes provenant de maisons historiques comme le Paradis Latin, le Moulin Rouge, le Lido, le Crazy Horse ou de Chez Michou, ainsi que d’artistes indépendants, qui peuplent les nouveaux cabarets « indisciplinaires », illustrent le large spectre de la création depuis l’excellence des métiers d’art, ateliers spécialisés, créateurs haute couture, jusqu’à celle de la débrouille géniale où tout est imaginé pour faire rêver et proposer une soirée d’exception, hors du quotidien. Un parcours où se croisent de grandes figures comme Line Renaud, Zizi Jeanmaire, Dalida, Barbara, Jean-Marie Rivière, Michou et les créatures fantasques d’aujourd’hui comme la Big Bertha, l’Oiseau Joli, Kiki Béguin, Lola Dragoness Von Flame, Miss Knife… qui revisitent le cabaret avec élégance et insolence.
Bild- und Textquelle: Museumswebsite
Veranstalter/ Ort
Centre national du costume et de la scène
Quartier Villars - Route de Montilly
03000 Moulins
Frankreich
weitere Infos: cncs.fr/a-visiter/cabarets/?utm_source=brevo&utm_campaign=COMMUNICATION%20%20Mois%20de%20dcembre_copy&utm_medium=email
Folk Dress - Festive Dress and Workwear
Oslo (NO) > Dauerausstellung
The independent farmer had an important position in pre-industrial society in Norway. This led to a strong focus on rural culture in the construction of a Norwegian identity toward the end of the 19th century.
Folk Dress
“Folk dress” describes clothing worn by rural people for everyday work, for churchgoing and for other special occasions. Clothes could be distinctive for the region or more generally influenced by urban and European fashion. Regional folk dress could also change over time, partly inspired by international fashion as well as a result of local innovation. Local variations in dress increased noticeably during the 19th century. In some areas, traditional folk dress was in use far into the second half of the 20th century. While fashion is usually categorized chronologically, folk dress has often been sorted according to region. The earliest portrait of a Norwegian farmer and his family (1699) shows a Renaissance influence on rural clothing. Although the portrait comes from the Hallingdal region, the clothing strongly resembles dress used at same time in other areas in southern Norway.
Bunad
Bunads are clothes with historical elements used today only for festive occasions. In some areas, there was a seamless transition from traditional folk dress. In other areas bunads adopted elements from folk dress, such as embroidery, but changed the shape and cut of the garments. Some bunads have been designed in the course of the last century, often with little or no real historical connection. There are approximately 500 different types of bunads in production today. More than 60% of Norwegian women own a bunad.The type of silver worn with traditional folk dress is still used as a part of modern bunads. As a consequence, Norway has a strong living tradition of filigree silver jewelry.
Sami Dress
Traditional Samí clothing is neither characterized as folk dress nor as bunad. An unbroken tradition exists in Samí culture and, even though Samí dress is constantly changing, some medieval traits remain. Samí dress shows great regional variety, largely following dialect boundaries.Today, a vibrant creativity is expressed both in contemporary Samí fashion and jewelry design. Simultaneously, there is a dynamic use of traditional clothing. Many Samí also combine traditional elements with modern garments, to show identity and belonging.
Textquelle:
Veranstalter/ Ort
Norsk Folkemuseum
Museumsveien 10, Bygdøy,
0287 Oslo
Norwegen
weitere Infos: norskfolkemuseum.no/en/folk-dress
Dressed with pride
Jyväskylä (FI) > Dauerausstellung
The Dressed with Pride section at the National Costume Center of Finland presents traditional outfits from different parts of Finland in various eras. The exhibition also explores the history and the manufacturing methods behind the costumes. The exhibition draws attention to the remarkable level of detail in the costumes: flax and wool fabrics, pewter brooches, colourful stripe patterns on the skirts, headgear, pockets…
Finnish national costumes replicate peasant festive costumes from the 18th and 19th centuries. They continue the popular festive costume tradition, which includes skilfully crafted accessories from felt hats to bonnets, felted wool capes to silk aprons – all hand-decorated using elaborate techniques. Traditional festive costumes often combine various craft skills as well as typical features and materials from different eras. Parts of the costumes were home-made, parts bought or tailor-made by professionals. This tradition lives on in national costumes. The exhibition also raises questions. What happened to these carefully crafted items when they were no longer used?
Text- und Bildquelle: Museumswebsite
Veranstalter/ Ort
The Craft Museum of Finland
Kauppakatu 25
40100 Jyväskylä
Finland
weitere Infos: www.craftmuseum.fi/en/craft-museum-finland/exhibitions-and-events/permanent-exhibitions/dressed-pride
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