aktuelle Ausstellungen

Les dessous chics ou la mode intime (1919-1939)

Paris (F) > 04.11.2024 - 28.02.2025

Parure intime et discrète, la lingerie suit les tendances de la mode et participe à la libération du corps féminin. De l’abandon du corset à l’apparition de la gaine, l’invention du soutien-gorge et du bas qui souligne la jambe, la lingerie est affaire de mode. Elle est le premier habit dont on se vêt, celui que l’on dissimule ou qu’on laisse entrevoir, et qui, en toute intimité, met en valeur la silhouette. Catalogues de marques, revues spécialisées, publicités, et même reportages photographiques des vitrines de lingerie : à travers ces documents, les dessous de la mode s’exposent à la bibliothèque.

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
Bibliothèque
Musée des Arts Décoratifs
107, rue de Rivoli
75001 Paris
Frankreich

weitere Infos: madparis.fr/exposition-la-mode-en-modeles

Polaroids

Berlin (D) > 28.11.2024 - Mai 2025

Das Polaroid-Verfahren hat die Fotografie revolutioniert. Wer diese Kamera jemals benutzt hat, wird den Geruch der Entwicklungsemulsion und die Faszination für das Sofortbild nicht vergessen. Auch Helmut Newton liebte es, mit der Polaroid-Kamera zu fotografieren. Er hat die Technik seit den 1970er Jahren intensiv genutzt, insbesondere während der Shootings für seine Modeaufträge. Dahinter stand, wie er es selbst einmal in einem Interview nannte, das ungeduldige Verlangen, sofort wissen zu wollen, wie die Situation als Bild aussieht. Ein Polaroid entspricht in diesem Zusammenhang einer Ideenskizze und dient zugleich der Überprüfung der konkreten Lichtsituation und Bildkomposition. Gleichzeitig übten die Polaroid-Aufnahmen insbesondere aufgrund ihrer Objekthaftigkeit und der Möglichkeit, das Bild experimentell weiterzuverwenden, einen großen Reiz auf viele künstlerisch arbeitende Fotografen aus. Und so werden die Polaroids von Helmut Newton durch die Werke zahlreicher Kolleg*innen ergänzt, beispielsweise von Robert Mapplethorpe, Mary Ellen Mark, David Hockney, Ulay, Carlo Mollino, Luigi Ghirri, Maurizio Galimberti und Hannah Villiger. Diese Gruppenausstellung vereint die unterschiedlich verwendeten Techniken des Polaroid-Verfahrens in den verschiedensten Formaten, jeweils als Werkgruppe der ausgewählten Fotograf*innen.

Textquelle: Museumswebsite

Veranstalter/ Ort
Museum für Fotografie, Helmut Newton Stiftung
Jebenstr. 2
10623 Berlin
Deutschland

weitere Infos: www.smb.museum/ausstellungen/detail/polaroids/

Shirley Craven

Manchester (GB) > 06.04.2024 - 11.05.2025

An exhibition of vivid, colour-filled textiles by post-war designer Shirley Craven. Born in Hull in 1934 and evacuated during the Second World War, Craven cites the rural Yorkshire landscape and her post-war education at Hull College of Art and the Royal College of Art (1955-8) as a launchpad to a hugely successful career at the printing firm Hull Traders. Aged 29, Craven became Chief Designer and Director of this small and visionary firm whose artist-designers also included Althea McNish and Eduardo Paolozzi. The Whitworth is home to over 80 of Craven's bold abstract textiles, displayed together for the first time in over 60 years alongside newly acquired unique works from her days as a Student at the RCA. Alongside exhibitions, the Whitworth offers a broad programme of civic engagement and education activities, events and workshops that are informed by and support our communities. In 2024, we will launch Everyday Art School, a new suite of civic engagement and collections spaces that provides new experiences in our richly diverse and accessible constituent-led programme.

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
The Whiteworth
The University of Manchester
Oxford Road
Manchester
Greater Manchester M15 6ER
GB

weitere Infos: www.visitmanchester.com/event/shirley-craven/85271101/

Mode aus der MOMU Sammlung

Antwerpen (B) > Dauerausstellung

Die Sammlungspräsentation im Erdgeschoss beleuchtet die belgische und internationale Avantgardemode anhand von Silhouetten, Bild- und Archivmaterial aus der über 38 000 Objekte umfassenden MoMu-Sammlung. Um einen größtmöglichen Teil der MoMu-Sammlung - von zeitgenössischer Mode bis hin zu historischer Kleidung, Textilien und Accessoires - zeigen zu können, wird die Sammlungspräsentation regelmäßig geändert. Durch die Sammlungspräsentation wird das MoMu fortan zu einem durchgehend geöffneten festen, dynamischen, überraschenden und inspirierenden Treffpunkt für jeden Besucher. Aufgrund des mangelnden Ausstellungsraums konnte die umfangreiche Museumssammlung in der Vergangenheit nicht immer in vollem Umfang gewürdigt werden. Heute kann das renovierte Museum der Geschichte der belgischen und internationalen Mode endlich einen festen Platz einräumen. Damit die Sammlungspräsentation auch in Zukunft ein dynamischer Ort voller Überraschungen ist und bleibt, wird die MoMu-Sammlung nicht nur kontinuierlich mit Kreationen von aufstrebenden Talenten ergänzt, sondern auch Lücken in der historischen Sammlung geschlossen. In der Sammlungspräsentation entdecken Besucher die Entwicklung der belgischen und internationalen Avantgardemode. Die Ausstellung zeigt Kleidung und Accessoires, sowie Einladungen zu Modeshows und Archivbilder. Ein einleitender Dokumentarfilm geht tiefer auf die Entstehung der Qualitätsmarke „Belgische Mode” seit dem Aufkommen der „Antwerp Six” in den 1980er Jahren ein. Sie unterstreicht auch die Bedeutung der Modeabteilung der Königlichen Akademie der Schönen Künste in Antwerpen mit den jährlich wechselnden Kreationen der Modestudenten.

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
MoMu Antwerpen
Nationalestraat 28
2000 Antwerpen
Belgien

weitere Infos: www.momu.be/de/exhibitions/sammlungprasentation

Designed to dry - Kitty van der Mijll Dekker X Vera Roggli

Tilburg (NL) > 27.1.2024 - 11.05.2025

Our relationship with household textiles has changed considerably over the years. In the damask presentation, you will discover more about this history and dive into the story of the - at the time - leading designer Kitty van der Mijll Dekker. This history inspired contemporary designer Vera Roggli. In the 19th and early 20th centuries, people handled household textiles differently than today. For instance, you had different types of cloths in your kitchen, each with its own function (the 'pot cloth', the tea towel, the cook's towel, etc.), the upper class would bring out the pure white damask table linen for special guests or occasions, and young women would collect all the pieces of their textile trousseau in preparation for marriage. The products were often simple in design and mainly focused on functionality. Kitty van der Mijl Dekker is one of the first textile designers of the era to change this.

Bild - und Textquelle: Museumswebsite

Veranstalter/ Ort
TextielMuseum - TextielLab
Goirkestraat 96
5046 GN Tilburg
Niederlande

weitere Infos: textielmuseum.nl/en/exhibitions/designed-to-dry

Folk Dress - Festive Dress and Workwear

Oslo (NO) > Dauerausstellung

The independent farmer had an important position in pre-industrial society in Norway. This led to a strong focus on rural culture in the construction of a Norwegian identity toward the end of the 19th century.

Folk Dress
“Folk dress” describes clothing worn by rural people for everyday work, for churchgoing and for other special occasions. Clothes could be distinctive for the region or more generally influenced by urban and European fashion. Regional folk dress could also change over time, partly inspired by international fashion as well as a result of local innovation. Local variations in dress increased noticeably during the 19th century. In some areas, traditional folk dress was in use far into the second half of the 20th century. While fashion is usually categorized chronologically, folk dress has often been sorted according to region. The earliest portrait of a Norwegian farmer and his family (1699) shows a Renaissance influence on rural clothing. Although the portrait comes from the Hallingdal region, the clothing strongly resembles dress used at same time in other areas in southern Norway.

Bunad
Bunads are clothes with historical elements used today only for festive occasions. In some areas, there was a seamless transition from traditional folk dress. In other areas bunads adopted elements from folk dress, such as embroidery, but changed the shape and cut of the garments. Some bunads have been designed in the course of the last century, often with little or no real historical connection. There are approximately 500 different types of bunads in production today. More than 60% of Norwegian women own a bunad.The type of silver worn with traditional folk dress is still used as a part of modern bunads. As a consequence, Norway has a strong living tradition of filigree silver jewelry.

Sami Dress
Traditional Samí clothing is neither characterized as folk dress nor as bunad. An unbroken tradition exists in Samí culture and, even though Samí dress is constantly changing, some medieval traits remain. Samí dress shows great regional variety, largely following dialect boundaries.Today, a vibrant creativity is expressed both in contemporary Samí fashion and jewelry design. Simultaneously, there is a dynamic use of traditional clothing. Many Samí also combine traditional elements with modern garments, to show identity and belonging.

Textquelle:  Museumswebsite, Bildquelle: @Haakon Michael Harris / Norsk Folkemuseum

Veranstalter/ Ort
Norsk Folkemuseum
Museumsveien 10, Bygdøy,
0287 Oslo
Norwegen

weitere Infos: norskfolkemuseum.no/en/folk-dress

Dressed with pride

Jyväskylä (FI) > Dauerausstellung

The Dressed with Pride section at the National Costume Center of Finland presents traditional outfits from different parts of Finland in various eras. The exhibition also explores the history and the manufacturing methods behind the costumes. The exhibition draws attention to the remarkable level of detail in the costumes: flax and wool fabrics, pewter brooches, colourful stripe patterns on the skirts, headgear, pockets…

Finnish national costumes replicate peasant festive costumes from the 18th and 19th centuries. They continue the popular festive costume tradition, which includes skilfully crafted accessories from felt hats to bonnets, felted wool capes to silk aprons – all hand-decorated using elaborate techniques. Traditional festive costumes often combine various craft skills as well as typical features and materials from different eras. Parts of the costumes were home-made, parts bought or tailor-made by professionals. This tradition lives on in national costumes. The exhibition also raises questions. What happened to these carefully crafted items when they were no longer used?

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
The Craft Museum of Finland
Kauppakatu 25
40100 Jyväskylä
Finland

weitere Infos: www.craftmuseum.fi/en/craft-museum-finland/exhibitions-and-events/permanent-exhibitions/dressed-pride

Unpicking Couture

Manchester (GB) > 21.07.2023 - 02.11.2025

Unpicking Couture premieres spectacular high-end fashion which has recently entered Manchester Art Gallery’s collection. Created by influential designers and fashion houses, each outfit represents a groundbreaking moment in fashion and includes works by Christian Dior, Elsa Schiaparelli, Azzedine Alaïa, Cristobal Balenciaga, Pierre Cardin, Vivienne Westwood, Yohji Yamamoto, Bruce Oldfield and Alexander McQueen. This exhibition celebrates pioneering creativity and design. The two main themes of the show are: investigating the links between fashion and emotions, in the form of dopamine dressing which encourages dressing for joy, and focusing on repair and restoration, inviting us to consider the lifecycle of a garment and the way it is valued and cared for. The exhibition will reveal the recent restoration of a 1930s silk velvet jacket by Italian couturier Elsa Schiaparelli, Unpicking Couture promotes sustainable approaches to repairing and preserving much loved and well-worn clothes. The garments will be on display for the first time. They were acquired through a National Heritage Lottery Fund Collecting Cultures grant from 2015-20. Unpicking Couture will expose the work that underpins the care of dress collections through a mediative film that captures the process of dress mounting and how the craft and skill involved, mirrors the work of dressmakers and couturiers. Innovative display techniques have been developed in conjunction with Dr. Jeff Horsley from the Centre for Fashion Curation, London College of Fashion and Dr Angela Piccini from the School of Art, Design and Architecture, University of Plymouth, including dynamic visual and spatial strategies and a focus on the making of the exhibition. These lively modes of presentation provide encounters for fashion as stimulation and immersion, enabling slow looking and inspiring conversation. Part display and part studio space, Unpicking Couture activates ideas around the value and care of collections, sustainability, expression of self, making and creativity.

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
Manchester Art Gallery | Gallery of Costume
Mosley Street,
Manchester, M2 3JL
GB

weitere Infos: manchesterartgallery.org/event/unpicking-couture/

The Theatre King

Stockholm (S) > Oktober 2023 - Ende 2025

Experience the splendor, power, and theater costumes of Gustav III's era. For the first time, around fifty unique costumes from The Royal Swedish Opera and The Royal Armoury are displayed together in an exhibition. Join us on a costume cavalcade! The exhibition takes you through the magical world of theater of the Gustavian era. An epoch where the passionate so-called "theater king" Gustav III created an outstanding atmosphere around culture. Where the theater became a space for splendor and spectacle, as well as a tool to wield for political and royal power. The Theatre King is an exhibition in four acts that begins with Gustav III’s resplendent silver coronation costume. It shows the royal cultural life that flourished in the 18th century, with music, dance, artists, grandiose outdoor spectacles, court life and tournaments. The exhibition ends with a costume from Verdi’s opera Un Ballo in Maschera. In this costume, fact and fiction are woven together in a finale worthy of a Theatre King.

Text- und Bildquelle: Museumswebsite (Foto © Jens Mohr)

Veranstalter/ Ort
Livrustkammaren
Slottsbaken 3
11133 Stockholm
Schweden

weitere Infos: livrustkammaren.se/en/the-royal-armoury/exhibitions/the-theatre-king/

Hazara dress and embroidery from Afghanistan

London (GB) > 29.12.2023 - 24.07.2025

The display showcases examples of historic Hazara dress and embroidery, dating from across the 20th century.
Afghanistan has always been home to many peoples and cultures. The Hazara people speak Hazaragi, a language related to Persian, and make up the third largest ethnic group in the country. In the past, they lived in many areas of Afghanistan, including the central Hazarajat region. But today, many have been displaced and they continue to face persecution, in part due to their religion: most Hazara people are Shi‘i Muslims, while the majority of Afghans are Sunni. In the face of hostility, embroidery and dress help to maintain a sense of communal identity for the Hazara people, both in Afghanistan and among diaspora communities. There is a great diversity of dress and embroidery styles in Hazara culture. Women produce most of the embroidery, working by hand. They decorate elaborate festive dress for women and men, but also simple household items. The vibrant examples in this display reveal the technical and design skills of the dressmakers and embroiderers. 

Text- und Bildquelle: Museumswebsite

Veranstalter/ Ort
V&A South Kensington
Cromwell Road
London, SW7 2RL
GB

weitere Infos: www.vam.ac.uk/event/R7BV5VdP7L/hazara-dress-and-embroidery-from-afghanistan